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We are an open mic!

UPDATE! With the closing of the Palace, we have been diligently scouting new venues to support a Variety open mic.  Until we find a space that is a perfect fit, the regular show is on hold. But feel free to fill out the sign-up form and we will send out an email as soon as it’s up and running! Thank...

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DCVariety

The Good, the Bad, and the Beautiful: My Life as a Plus-Size Burlesque Performer

Posted by Diva Darling | Posted in burlesque | Posted on 07-04-2015

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I’ve been staring at a bright blue Post-It note for the last five minutes as I thought about how to start this piece. My intern last summer at my muggle job liked to write little inspirational quotes on them and leave them for me to find, and I keep them lined up along the bottom of my monitor. This particular one says, “Why fit in when YOU were born to stand out?”

Turns out that’s a pretty good mantra for thinking about how to deal with doubts about being a fat girl in burlesque.

Diva Darling Portrait

[photo credit: Kristina De Santis Photography]

A newer performer in our community, herself a curvy woman, inspired this piece when she wanted to hear from other performers of size about our experiences onstage and off. Who could blame her for wondering how she’d be received? The world isn’t exactly kind to women who take up more than a single-digit dress size of space, and that’s when we’re keeping our clothes on. To have the audacity to get in front of a roomful of people and reveal every jiggle and curve seems like it would be an exercise in pathological masochism.

And yet, being a plus-size performer in burlesque is like visiting another world where the usual rules don’t quite apply.

Meet the Variety: Lady Fancy, One of Baltimore’s Newest Burlesque Beauties

Posted by Jules V Moorhead | Posted in burlesque, Meet the Variety | Posted on 06-04-2015

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Photo Credit: Dorret Oosterhoff

Lady Fancy [Photo Credit: Dorret Oosterhoff]

Meet Lady Fancy, one of Baltimore’s newest burlesque beauties. She’s burst onto the scene in a big way in a short amount of time. She’s already appeared on stage with TimelessTease Productions and Twisted Knickers, and she’ll be competing in the Burlypicks DC Regional Competition next on May 1 at the Bier Baron.

I first saw Lady Fancy at GalHaus Review‘s Big Show 6, the student showcase put on by MICA’s burlesque club annually. My co-producer Betty O’Hellno and I attended to support the club and were blown away by her artistry and poise. We immediately booked her for our next show, where she effortlessly wowed the crowd. You never would have guessed she was new to the scene.

I recently had the chance to ask Lady Fancy some questions about what attracted her to burlesque and her first impressions so far.

What was your introduction to burlesque?

There was a burlesque club [GalHaus] at Maryland Institute College of Art that had a few shows I attended, and afterwards I was curious and started looking up videos of other performers on the internet. I stopped attending MICA as a student, but the club was kind enough to let me still participate in their activities, and I was hooked from there.

What drew you to performing?

I’ve been involved in the performing arts for pretty much all my life, mostly through music. Piano and voice recitals, musical theater, leading music at my church and at conferences…I’ve done a lot of different things. Looking back, even at the church stuff, I got so much out of interacting with an audience. There’s a kind of energy the audience gives you, and by performing, you take that gift and give it back. It’s a very powerful feeling. I get a lot out of making people happy that way. Being able to make someone smile, or convey some kind of meaningful message through performance is really special.

How did you choose the name Lady Fancy as your stage name?

My friends have been calling me Fancy, Miss Fancy, Fancy Pants, etc. for a while. It’s really to the point that hearing my real name is almost a surprise. Fancy just fits and I love it. It’s my true name, if you will. When it came to picking a stage name for burlesque, I picked Lady to go with it because I really admire the poise and classiness so many dancers bring to their routines. The poise of a Lady, the playfulness of Fancy….that’s what I want to bring to my performances.

What background contributes to your style?

Musical theater and belly dance both have a strong influence on the way I move and dance. Musical theater taught me a lot about stage presence and how to fill up a room, as well as strategies for blocking and using stage space well. Belly dance is something I’ve seen a lot of and dabbled in, both dance and costume-wise. I was always impressed by the importance of both choreography and improv in that style. You can tell a lot of stories through belly dance the same way that you can with burlesque. It’s also very close to burlesque in how extravagant the costumes can be. I can’t resist the sparkly!

Do you have any influences or inspirations as a burlesque performer?

Lady Fancy [Photo Credit: Dorret Oosterhoff]

My fiancé showed me a lot of Dita VonTeese’s photographs when I started burlesque. I really connected with the lavish opulence of her looks – so many rich textures and so much sparkle! She also brought the poise and elegance from her performances into her everyday lifestyle. I’m a little chaotic as a person so the idea of taking the spirit of burlesque and molding myself to its ideals is really amazing. Also, I really admire Nina Amaya, a local belly dance performer. She leads the Aubergine Troupe, and I took a few lessons with her after seeing their performances at local events like Artscape. They do traditional belly dance, but also do performances and storytelling as fairy dancers! She’s a very whimsical lady who makes a living by bringing a fun loving, childlike spirit into her dance. I really admire her as a person and for what she has accomplished as a performer.

What’s been your most memorable experience (good or bad) on stage so far?

There have been a lot of really good ones from my church days, but one in particular sticks out to me. I led a congregation in a song called “Wade in the Water” one week.  There were about five or six hundred people in the room that Sunday. The song had a lot of soul and I really was able to grind and get dirty with the sound. The lyrics talked about the struggles of life and the hope that it would all mean something in the end, which everyone can connect to. It was call and response, where you sing one line and the audience sings back. By the end of the song, everyone in the room was on their feet, stomping and clapping. The energy was really intense. I remember that I was shaking by the time the song was over, it was just that powerful. I hope that I can bring that kind of vulnerability and connection to future performances, because I will never forget that experience.

Tell us a bit about GalHaus. How has it shaped you as a performer?

I can’t speak highly enough about GalHaus. Dolly Longlegs did a great Burlesque 101 workshop the semester I joined the club. I was still wrapping my head around the idea of stripping, but the welcoming atmosphere she created along with the club leaders encouraged me to give it a try. The first year was a little challenging because very few of us had been exposed to burlesque before, but having mentors like Mimi Madly who could teach and give us direction while developing individual acts for Big Show 5 was so helpful to our growth.

The second year, the returning members did a fall show that brought in a lot of new students, but also gave them a head start on putting ideas for an act together. Having so many people who already had strong and unique ideas made Big Show 6 a really diverse show. I remember feeling confident about approaching my second act with the club, as I was starting to learn what kind of dancer I wanted to be and what kinds of themes I wanted to bring to my performances. I even got to try my hand at leading a workshop for the new members. I really hope that I can give as much back to that club as it gave to me.

I’m giving the pro thing a go because GalHaus taught me how much I loved burlesque and wanted to keep doing it. That kind of drive and inspiration is hard to come by, but GalHaus has it in spades. I hope the professional community continues to keep an eye on future Big Shows, because the people who stay in Baltimore after graduation have turned out to be some pretty solid performers, and it really prepared me to go out and apply what I learned to other acts. I am truly grateful that I got my start in such a great environment. Cheeki Ho is heading up the club next year, and I am really excited to see how it flourishes under her leadership.

As a new performer, what are your biggest fears or concerns as you get into burlesque?

I worry about my lack of knowledge and exposure. Other than the GalHaus Review, I haven’t seen a lot of burlesque, and I don’t want to be disrespectful to those who have dedicated so much of their lives to cultivating burlesque locally and internationally. I really want to make it out to more shows so I can see what is out there and learn as much as possible from other dancers. I’m also a little worried about the actual cost of where burlesque might take me. It’s something I can see myself doing a lot of, but the cost of making new acts, traveling, touring, festivals, etc. is a little bit daunting. I tend to throw myself into things out of the sheer joy of it, and am worried that the money side of things might steal some of that spark. Still, I know there are a lot of performers who do it on a much tighter budget, so I just need to network and learn from those people so I can figure it out too. I’m really looking forward to the connections and friendships that are out there waiting to happen through burlesque, though. I just hope I can stay humble while still being the best that I can be.

Jules V Moorhead co-produces TimelessTease Productions in Baltimore. Find Jules and TimelessTease Productions on Facebook.

[Photo Credit: Dorret Oosterhoff]

Meet the Variety: Hot Todd Lincoln, MC

Posted by Jules V Moorhead | Posted in Meet the Variety, reviews, sideshow | Posted on 31-03-2015

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HotToddLincolnI first saw Hot Todd Lincoln on stage at a Twisted Knickers show in the Yellow Sign Theater in Baltimore, the city he calls home. I wouldn’t formally meet him until a year or two later when he accidentally molested my knee at Trixie Little and the Evil Hate Monkey‘s annual Holiday Spectacuthon, but I digress. Hot Todd’s MC style is pun­filled and banter­heavy. He likes to make a connection with his audience. Over the years, as he’s added sideshow acts to his sets, you can feel that same sense of connection in his performances.

For Hot Todd, being an MC is an extension of who he is offstage. “I tend to be very outgoing, and really like being a part of a community. The role certainly plays to my strengths of being quick on my feet and very convivial. I tend to be fast with puns and snappy comebacks, and I truly enjoy the feeling that comes with connecting with an audience.”

But with great power comes great responsibility, and Hot Todd wasn’t satisfied with simply delivering a well­timed zinger. “As I continued to host shows, I realized that being an MC gives me unique opportunities to do more. Once you connect with an audience, you can say something really important.” Hot Todd has used his time on the mic to promote marriage equality, equal rights, body positivity and the sexiness of consent. “I want to create a space in which everyone is having a good time and feels safe and welcome.”

He cites MCs and performers such as Swami YoMahmi, Mab Just Mab, Paco Fish, Professor Sprocket and Harley Newman as some of his biggest influences, among many others like Miss Astrid, Bradford Scobie, Bastard Keith, Scotty the Blue Bunny, Magnolia Jackson Pickett Burnside, Ben Wisdom, World Famous Bob, Doc Wasabassco, Murray Hill and Armitage Shanks. “Everyone I’ve mentioned comes to the mic with wildly different perspectives, and really connects with their audiences from a very personal place.”

In addition to his skills as an MC, Hot Todd also does classic sideshow acts like the bed of nails and routines such as a fun, audience-­participatory straight jacket escape number. “While being an MC is fantastic, I wanted to explore what I could do on the performance side of the equation. I’m no dancer, so initially, sideshow seemed a better fit. Once I started, I became captivated by the physicality and honesty of sideshow. There’s no illusion to sideshow. What you see, is really what’s happening. Bed of Nails? Real nails. Walking on glass? Real glass. Eating fire? Yep…real fire. I am also realizing the benefits of performing and practicing sideshow on and off stage as I’m pushing myself beyond my own fears.”

As if hosting and performing wasn’t enough, Hot Todd co­produces a monthly show with Chérie Nuit as Hot Night Productions at the Bier Baron in Washington, D.C. As someone who lives and hosts in Baltimore while producing and performing in D.C., Hot Todd straddles the burlesque scene in two different cities to an extent few others do. When asked to compare and contrast the two, he replied, “One immediate difference is that there aren’t really any ‘troupes’ based in DC, with the exception of the Cheeky Monkey Sideshow. There are a lot of production teams: Hot Night Productions, Valentine Candy Burlesque, The Weirdo Show, Atomic Doll Productions, etc. This creates flexibility in casting and adapting to venues and performer schedules. In Baltimore, there are both. Twisted Knickers and TimelessTease Productions have adopted the small core with a lot of guest performers model, whereas troupes like Gilded Lily Burlesque and Bawdy Shop Burlesque are doing well with larger core casts and fewer guest stars. Both scenes have a wide pool of talent to draw from and are generally very supportive of each other with a good amount of overlap. Another difference is that the some of the Baltimore groups are doing more scripted shows and bigger productions.”

As to what it’s like being in both scenes, “It’s pretty great in that I work with really good people in both cities, on both sides of the curtain.”

Jules V Moorhead co­produces TimelessTease Productions in Baltimore. Find Jules and TimelessTease Productions on Facebook.

[Photo credit: Josh Aterovis]

Meet the Variety: Indiana’s Jewels – Burlesque

Posted by Chè Monique | Posted in burlesque, Meet the Variety, reviews | Posted on 23-03-2015

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IndianasJewles01I had the opportunity to sit and chat with Indiana’s Jewels last Friday before Ellie Quinn Presents Girls Just Wanna Have Fun at the Bier Baron. We were joined by her boyfriend/costumer.

It was fun to talk to Jewels about Jewels. She works alongside GiGi Holliday in various capacities including assisting her with Studio Holliday. Indiana’s Jewels is also very committed to the local burlesque scene and puts a lot of effort into behind the scenes and burlesque community focused work. Because of this, in the past when I’ve spoken to her it wasn’t about her, it was generally about the community.

Jewels is excited about the upcoming graduation of Studio Holliday’s Budding Burlesque Beauties students. They will be showcased in a show at the Black Cat on April 17th. We reminisced over our first performances. Indiana’s Jewels started performing as part of Capital Tassels and Tease four years ago. Her first performance involved all sorts of props including jewels and a treasure chest to really introduce her Indiana Jones inspired character. She is happy that her performances have evolved to include more tease and less gimmicks. Her biggest piece of advice to new performers is no matter what, DON’T PICK THE WEDGIE. Jewels is excited about the new group of performers she’s helping to get their start and is glad that there are more ongoing classes to help them get stage ready.

IndianasJewles02My favorite aspect of Jewels’s performance career is the support of her boyfriend, who has turned into her costumer. Indiana’s Jewels purchased a sewing machine when her costuming needs demanded it, unfortunately she couldn’t figure out how to work the thing. Lucky for her, her boyfriend was not going to see all that money go down the drain and he figured out how to operate it. Now she conceptualizes an idea, he’ll sew it up and she’ll do the stoning and embellishment. She is very appreciative of being able to have custom costumes where each piece matches exactly, since it was cut from the same cloth.

It was so much fun watching Indiana’s Jewels perform. She is one of those performers whose backstage versus onstage personalities do a total 180. One minute we’re sitting down discussing how it would be nice to see more diversity in burlesque shows. Jewels is telling me how she’s observed that there’s a clear line between shows that are diverse and shows that aren’t. We’re brainstorming ideas to get more participation from less represented groups on stage. Everything is very cerebral. Next thing I know this woman has turned into a total sex kitten crawling on the floor and doing one of the hottest stocking peels I’ve ever witnessed. Girl’s Just Wanna Have Fun was a great show to see Indiana’s Jewels in, her acts to Cher’s “If I Could Turn Back Time” and Ke$ha’s “Your Love is My Drug” included Jewels’s signature silliness, but also had a raw sex appeal that was quite entertaining.

I quite enjoyed my conversation with Indiana’s Jewels and her boyfriend and am really glad I had this opportunity to learn more about her.

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che-moniqueChè Monique produces Chocolate City Burlesque and Cabaret and is a Jill of many trades. Learn more about Chè at www.chemonique.com and Chocolate City Burlesque and Cabaret at www.chocolatecityburlesque.com .

Meet the Variety: Spinnabel Lee, Fire Artist

Posted by Chè Monique | Posted in fire, Meet the Variety, reviews | Posted on 09-03-2015

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Introducing a new series here at DCVariety.com! Meet the Variety! This week, an article submitted by Chè Monique.

by Chè Monique

Victoriana1.SpinnabelLeeI first met Spinnabel Lee, when I hired her to perform at one of my Halloween parties. She dazzled my friends with a show that consisted of spinning fire poi, dancing with fire fans and fire hooping. I believe Spinnabel is the first person I’ve ever seen wriggle her body in and out a hoop set ablaze. Though I have many friends in the creative a performing arts, I could tell that for many of my friends this was their first time witnessing a show like this. They were absolutely captivated.

Spinnabel has achieved the dream, she is self employed full time doing the work she loves. Spinnabel Lee is a fire dancer and hooper and enjoys taking hip hop dance classes. In fact even though I said she’s living ‘the dream’, Spinnabel’s dream would be to be in a rap video, or even better go on tour with Beyoncè. Spinnabel is a DC variety artist that kind of exists on the fringes of the variety scene.Most of Spinnabel’s performance work is private events, like my Halloween party, weddings, and corporate events. Spinnabel also teaches hoop dance classes and helps organize the FLAME Festival outside of Atlanta.

Spinnabel Lee Fire FansSpinnabel fell in love with fire dance after being mesmerised by a performance she saw at a party in Guatemala. After failed attempts at self instruction, she found a friend to teach her the basics and Spinnabel Lee was born. Over her years of performance, Spinnabel has had quite a few snafus from wardrobe malfunctions to dropping her props and of course numerous burns. From her perspective the possibility of things going wrong, potentially dangerously wrong is what makes live performance so thrilling.

I’m really glad I decided to reconnect with Spinnabel, I was reminded of her blog which I’ve perused occasionally. It is a really great resource. I think there is content in it that everyone will find useful. Spinnabel posts lots of great business tips for performers and entertainers as well good solid life advice. More information about Spinnabel including booking information, her calendar and the incredibly informative blog can be found at www.spinnabellee.com.

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che-moniqueChè Monique produces Chocolate City Burlesque and Cabaret and is a Jill of many trades. Learn more about Chè at www.chemonique.com and Chocolate City Burlesque and Cabaret at www.chocolatecityburlesque.com .

 

Adding central calendar!

Posted by mabjustmab | Posted in blog biz | Posted on 28-12-2012

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Hi folks!

One thing about calendars is we don’t want to have to update 17 places for every event, but we want one place to see all the events coming up.

To that end, we set up the DCVariety website to import as many events as it can.
If you have a google calendar, and would like your shows and events to show up on the DCVariety website, (http://dcvariety.com/events/), email your info to mab@dcvariety.com or post it in the comments section below.

If you are a performer, and do not yet use google calendar, I highly recommend it.
1. You can import it to show up on your website
2. Other people/fans can add your calendar to their feed and see what shows you have coming up
3. And it syncs with yor phone and desktop and is accessible from nearly anywhere.

If you are interested in having your google calendar feed to the DCVariety.com website, we need this info!
Performer/group name: (as you want it to appear)
Brief description: (one sentence)
Tags you want associated with your event, in this case, Burlesque, Sideshow, etc. try to pick one as it will be associated with all your events.
And the ical url

HOW TO FIND THE ical url:
In the calendar list on the left side of the page, move your mouse over the calendar you’d like to export from.
You’ll see a drop-down arrow appear next to the calendar name. Click the drop-down arrow and select Calendar settings. (Alternatively, click the drop-down arrow next to My calendars and select Settings, then click the appropriate calendar from the list.)
click the “Calendar Details” tab on the left
next to Calendar Address: there are three options
xml ical and html
click the ical one and copy the url
that’s the url I want. send it to me or post it here
.

November Open Mic is going to AWESOME!

Posted by mabjustmab | Posted in burlesque, circus, comedy, events, open mic, palace | Posted on 22-10-2012

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Mab, Just Mab has been working with some amazing folks to keep DC’s ONLY Variety open mic going. We had to skip October, but we are back in November. And we are back, stronger than ever!

All the way from Richmond, VA – Moxie LaBouche from “Those Freaking Weirdos” always brings a creative and slightly odd spin with her burlesque.

Fresh off her rocking Figment, you loved her at the Intergalactic Speakeasy, DC’s darling songstress, Abby Nightingale will show you she’s more than just a pretty voice!

I recently met the lovely Dainty Dandridge at the Wonder Brunch at the Red Palace, and I instantly fell in love with her. I think you will too! She’s been charming darlings with her sultry tunes and sweet burlesque at Phase One.

Also new on the DC burlesque scene is the sweet Adora Coquette. I can’t wait to see what she has in store for us!
And back for more, Glam Gamz couldn’t stay away! But you’re not crying, this girl lives up to her name!

And you can’t do a variety show with some sweet tunes. But we are gonna do it DCVariety style. Frankie & Betty are an acoustic duo that will leave you short of breath from dancing and laughing.

The Clown Cabaret exchange brings us the incredibly talented Mandy Dalton! This lady has trained by Ringling Brothers, the Moscow Art Theatre School, and Cirque du Soleil, and now she’s hanging out with us! wow!

I cannot believe how awesome this month’s show is going to be! And the cover is still only $8!!! Any ~one~ of these acts alone is worth that! And you are getting more than 7 great acts! Plus the DCVariety Open Mic audience participation where you can win fabulous prizes!

Come out and see the Variety of DC!

Resource: About Corsets…

Posted by mabjustmab | Posted in resources | Posted on 12-10-2012

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As a sideshow performer, I’m often asked a lot of questions.  “How did you get started?”, “Does it hurt?”, “where did the balloon go?”. All good questions, with equally good answers. But hardly a show goes by without someone asking  me about my corset and where to get good ones. So I decided to write this article.  * This is being reposted from my website, MabJustMab.com

I tend to wear corsets that are suitable for “tight lacing”. They are sturdier, have better shape, give great reduction, better boning, etc. I personally prefer the “underbust” or “waist cincher” styles.  Other folks perfer the “overbust” cups, but they ~never~ fit right without serious customization, and even then, there are good days and bad days. I like the Victorian style a little better. Renascence styles do not feature the curves as much.  The 1950’s styles are rather industrial looking, and I have to admit, they look kind of cool too.  All of the corsets I wear use front busk closures and lace in the back (lace to the middle!).

A lot of times you will see cheap “corsets” that offer no reduction at lingerie/goth shops. They tend to buckle and crease and do nothing to accent the dead sexy shape of a woman. There is a time and a place for those types of garments, but I can’t think of any at the moment.

My old corset (that survived 4+ years of rough wear) came from Brute Force Leather/ Fallen Angel Fashions.   His corsets use solid steel boning, (which I like), and have a good shape. The customer service is touch and go/crap-shoot. His corsets are at the high end of pricing, so I decided to shop around till I found better for less, which I did.

I also have a black and white pinstripe that came from Isabelle’s: http://www.corsetmaker.com. She uses spiral steel boning which is more flexible than solid steel boning. The cut and her pattern for the underbust is excellent, and gives a good reduction. It was an off the rack job, on sale, and around $99. It looks great, fits great, and feels great.  Great deal!

You can’t discuss corsets shops without mentioning Timeless Trends. They are the McDonalds of corsets. They have a standard formula pattern, not much variation between the cut of their corsets. Since they cut/build in bulk, most of their corsets are $99. I have seen them on some people and they look stunning. I tried one on and it didn’t look/feel right at all. It has a center peak to separate the boobs (not a flattering look on me) and a high back. The waist of the corset didn’t offer much reduction either. So try on a timeless trend before you buy if you can, but if they work for you, they are a good deal.

My latest and most stunning current corset is from Clockwork Couture. It took almost 8 weeks to get to me, it’s not custom fitted, and has flexible boning (even the busk!). All of these features usually lead to unhappy Mab. But lo! I tried it on, and the cut of the corset is beyond stunning. It offered the greatest waist reduction of all my corsets. I suspect if I ordered a smaller size, I would have been able to get a few more inches out of it.  The corset was in the high end of mid-level price range. I was lucky enough to catch it on sale. They run between $200-$250.

Someday I hope to get one of the ~really~ nice ones, specifically a Delicious custom job. (Actually, anything from their shop would delight me to no end.)

If you are getting a corset, a ~real~ corset, expect to spend up to $300 for a basic, well made piece. (Unless you choose to go w/ timeless trends). If you can find a well made/custom for less, ask a lot of questions. Boning used, lined? lacing? busk? etc. There are a lot of people out there that will sell very bad corsets for a lot more than they are worth (but a lot less than you would expect to pay for a nice one).

My current favorite corsetry resource is this corsetry discussion group on Livejournal, which is full of great suggestions, corset sales, and “stay away from this guy!” tips. You can scroll through and read past topics.

Hope this answers some of your questions, but certainly feel free to ask any others. Apparently, I love corsets.

DCVariety November Open Mic!

Posted by mabjustmab | Posted in burlesque, circus, comedy, events, featured, juggling, magic, music, open mic, palace, puppets, sideshow, spoken word | Posted on 12-10-2012

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DCVariety Open Mic Night @ the Red PalacePSA: CALLING ALL VARIETY ARTISTS!
I’ve been working with some amazing folks to keep DC’s ONLY Variety open mic going. We had to skip October, but we are back in November. and I want to come back stronger than ever!

This month I’m gonna focus hard on the more traditional variety arts, meaning: Magic, Burlesque, Sideshow, and a juggler if I can find one willing to work at the palace. acrobats and hoopers, some bellydance, and I would love a variety music act too! I’ll even take some clowns!

Let me know if you or anyone you know anyone who would be interested in performing! and spread the word!

This is a great opportunity to try out new material, get some video on the Palace stage, meet other performers in the area, and if you haven’t ever been to the Palace before, be seen by them!

Let’s keep new blood in the variety arts! Let’s keep the community growing stronger than ever!

Sign up here: http://www.dcvariety.com/sign-up-to-perform-at-a-dcvariety-show/

We are an open mic!

Posted by mabjustmab | Posted in blog biz, featured, open mic, palace | Posted on 29-08-2012

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UPDATE!

With the closing of the Palace, we have been diligently scouting new venues to support a Variety open mic.  Until we find a space that is a perfect fit, the regular show is on hold.

But feel free to fill out the sign-up form and we will send out an email as soon as it’s up and running!

Thank you for your support!

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Did you know that the famous Red Palace had an Open Mic night?  Well it did!  We here at DCVariety are working hard to create a space for variety artists to try out new material, meet new performers, or even take the stage for the first time!  We need YOU! Sign up here!

DCVariety Open Mic Night @ the Red Palace

Advertise Here